

We begin with the ProjeKCts, the fractalized King Crimson consisting of various subsets of the double trio, created circa 1997.
Notes: The first Collector's Club release not devoted to an official lineup of King Crimson, this is ProjeKct 4, consisting of Fripp, Gunn, Levin & Mastelotto. (This entry is cross listed on page two of this discography because it was part of the Collector's Club.)


Disk 1 - Space Groove
Disk 2 - Vector Patrol
Notes: ProjeKct 2 is Robert Fripp (Guitar), Trey Gunn (Touch Guitar, Guitar Synth) & Adrian Belew (V Drums).


Disk 1 - Live at The Jazz Cafe - ProjeKct 1 
Notes: ProjeKct 1 is Robert Fripp (Guitar), Trey Gunn (Touch Guitar), Tony Levin (Bass, Stick, Synth) & Bill Bruford (Drums and Percussion). Recorded Dec. 1 - 4, 1997.
Disk 2 - Live Groove - Project 2 
Notes: ProjeKct 2 is Robert Fripp (Guitar), Trey Gunn (Touch Guitar, Guitar Synth) & Adrian Belew (V Drums). Recorded early in 1999.
Disk 3 - Masque - ProjeKct 3 
Notes: ProjeKct 3 is Robert Fripp (Guitar), Trey Gunn (Touch Guitar, Talker) & Pat Mastelotto (Electronic Traps & Buttons). Recorded early in 1998.
Disk 4 - West Coast Live - ProjeKct 4 
Notes: ProjeKct 4 is Robert Fripp (Guitar), Trey Gunn (Touch Guitar, Talker) & Tony Levin (basses, Stick) & Pat Mastelloto (Electronic Traps and buttons). Recorded late 1998 (?)


Notes: ProjeKCt X is the same band as the "double duo" of 2000 - Adrian Belew (guitar and V-drums), Robert Fripp (guitar and soundscapes), Trey Gunn (bass touch guitar and baritone guitar) & Pat Mastellotto (traps and buttons). From the rehearsals and recording sessions for The ConstruKCtion of Light.

Also included are some (but again, not all) releases produced by Robert Fripp.


Notes: A light pop album which sounds nothing like King Crimson. However, listening to tracks like "Suite No. 1" & Erudite Eyes" will convince one of Fripp's precision and prowess on the frets, as well as Mike Giles' masterful drumming. The other tracks display catchy melodies, bizarre humor and tight playing, even though the music is nowhere near as ground-breaking as what was to come less than a year later.




Notes: Even though this album appeared 4 years after the birth of King Crimson, the writing on it makes one reason clear why the above album by Giles, Giles & Fripp was not a King Crimson album - Pete Sinfield was missing! (The other reason was Ian McDonald was missing.) Sinfield displays a wide range of styles on this effort - the lament of love gone wrong (Can You Forgive a Fool), gritty inner city decadence (The Night People), country & western (Will It Be You), mythical medieval ballads (The Piper & The Song of the Sea Goat, Still), etc., even a King Crimson reference (the theme of Whole Food Boogie is essentially the same as in KC's Cat Food, but with an entirely different sound). Furthermore, Pete is supported by a cast of musicians which are first rate, with several King Crimson alumni providing guest appearances, including Mel Collins, John Wetton, and Greg Lake. Can you forgive a Fool and Hanging Fire didn't appear on the 1973 release, but were added to the 1993 CD version when the sequel to Still didn't materialize. I, for one, hope that Pete will take time out from his current duties as producer/lyricist to put out another disc of his own!


Notes: An awesome collaboration. The tape-looping Fripp and Eno explored here would evolve over the years first into Frippertronics and finally into Soundscapes, as well as into Eno's ambient music.


Notes: Another great collaboration. In some ways even more inviting than the first.


Notes: Fripp's first solo LP. Was originally part of a trilogy, the other two being Daryl Hall's Sacred Songs and Peter Gabriel's Peter Gabriel II. Guest vocals by Daryl Hall, Peter Gabriel, Peter Hammill and Terre Roche. Also Tony Levin (among others) plays, which led to the next incarnation of King Crimson.


Notes: A Fripp Dance Band. Dance? I guess we can forgive him - it was after all the tail end of the seventies.... David Byrne on guest vocals.


Notes: Fripp takes the looping he learned from Brian Eno, expands it and takes it on the road and in the studio as Frippertronics. On the road, Fripp soloed over the basic loop tracks. Unfortunately, on the album the solos do not appear.


Notes: The second Roches album produced by Robert Fripp. I like it even better than their debut. Fripp appears on several tracks, my favorites are Losing True, The Scorpion Lament, Sex is for Children and the title track. Tony Levin and Bill Bruford also make appearances on the album. There is quite a range of material on the album. Tracks 4 & 8 display their quirky humor, track 5 might have fit well in the repetoire of a group like Pentangle, tracks 3 & 6 make statements about modern love, and all the tracks exhibit the Roche sisters unusual harmonies, even track 1, although that is the one track on the album I usually don't have the patience to sit through.


Notes: Andy Summers is the guitarist from the Police. He has since done work in jazz fusion. But neither his Police days nor his solo career comes close to the material produced by the collaboration with Fripp.


Notes: This proves that the previous album was no accident. I like it even better than I Advanced Masked, though I've heard the opposite opinion expressed. Still sounds fresh 17 years later.


Notes: Personnel includes 2 ex-Crimso's: David Cross and Keith Tippett. Parts remind me of Gentle Giant.


Notes: The League of Crafty Guitarists emerged from Fripp's Guitar Craft Classes. (I was unaware of this CD when my wife and I chose Chiara as the name of our second daughter.)

Notes: Soundscapes are a modern version of Frippertronics. IMHO, they are a vast improvement over the original. Recorded live in Argentina.


Notes: Besides Giles & Muir, the album features loop guitarist David Cunningham. The album was originally a score for a film of the same title circa 1983, but the film was never released as I understand it. I'm glad they decided to release the CD. Being a film score notwithstanding, the (entirely instrumental) CD has rather interesting passages, and its good to hear a collaboration from these two exceptional Crimson percussionists. I understand Muir has given up music entriely now in favor of visual art, but should he ever return to audio art, I'm sure he'd have a number of eager fans waiting to hear his next move. And Michael, how about some more from you?!


Notes: A soundscapes album inspired by the loss of Fripp's mother.


Notes: Fripp's dance band. Official live 'bootleg' from live shows from 1980.

Notes: Another Soundscapes album - a sort of companion to A Blessing of Tears.

Notes: Guest artists include: Robert Fripp (tracks 4 & 8), John Wetton (track 1), Peter Sinfield (track 5), Peter Hammill (track 8).

Notes: Produced by Fripp, originally recorded in 1977 (Hall's first solo album), but squelched by Hall's record company (due to perceived lack of commercial potential) until 1980. The last two bonus tracks were not on the original, but instead on Fripp's Exposure, along with several more collaborations with Hall. Due to contractural obligations, Fripp had to re-record those tracks on Exposure with different vocalists, except for the two bonus tracks here. I believe the album was re-mastered by Fripp for the 1999 release. Considered by many to be Hall's masterpiece, Fripp appears on several tracks, and NYCNY alone makes it worth the price of admission.

Notes: Guest artists include: Mike Giles (tracks 3 & 10), Steve Hackett (tracks 3 & 8), John Wetton (track 5), Lou Gramm (track 8), Peter Frampton (track 9), Gary Brooker & Peter Sinfield (track 11). The CD received a luke-warm critical response, however I think it is quite good. It definitely grows on you! I submitted a review to the Elephant Talk Newsletter, but they declined to print it, so you can read it here.

Notes: A tasty offering from Trey Gunn (8, 10, & 12 string touch guitars, mellotron, theremin, shortwave, smokey guitar), Bob Muller (drum kit, tabla, bandir, darbouka,bodhran, dumbek, gamelan drum, rik, metals, shakers) & Tony Geballe (electric guitar, saz, acoustic 12-string guitar, leslie guitar, UPS guitars.)



